"All we love we leave behind": print realized by La Satanée
"All we love we leave behind": Print (Digigraphy) by La Satanée
Dark artist whose style is strongly influenced by medieval art, Renaissance paintings, occult imagery, symbolism and engravings of Albrecht Dürer.
Digigraphie format 30 x 40 cm, papier Hahnemühle Photo Rag 308 g/m2 finition ultra mat.
Sold with certificate of authenticity.
The print is sold alone, without a frame
Buffalo horn sculpture
Mammoths
Provenance: Indonesia - Unique piece
Botany plate by Édouard-Adolphe Duchesne
From the Atlas du Répertoire des plantes utiles et des plantes du globe published in 1846
19th-century color lithograph
Fuck La Mite (Fuck the moth) by Marius in Paris
Lavender mothproofing Amulet
Papuan dagger in engraved cassowary bone
Papuan handicraft
Ref B
Entomological shattering at La Beauchêne under glass case
Chrysochroa buqueti - the jewel beetle
The red speckled jewel beetle
By La Thanatothèque
Fish - Antique chart by D'Orbigny - 1869
In colors
Atlas of the Universal Dictionary of Natural History
Skull and octopus
Sculpture on deer antlers
Double skeleton
Sculpture on deer antlers
Unique piece
European lobster - Beauchêne explosion style under glass
Homarus gammarus
By Will Never Die
Available in shop only - No shipping
Birds - Antique chart by D'Orbigny - 1869
In colors
Atlas of the Universal Dictionary of Natural History
Ex-Voto heart in clay by Cuore di Argilla - Zodiac
Italy crafts
A contemporary reinterpretation of the traditional ex-voto, originally a votive offering made to a god in request of a grace or in thanks for a grace obtained after a vow.
There remains Sagittarius
Ancient engraving -board of Natural History in colour nineteenth century
In color. birds.
Ancient engraving - board of Natural History XIXth century.
In color. Mammals.
"All we love we leave behind": print realized by La Satanée
